Beethoven / Serksnyte: Symphonien Nr.4 & 5; Fires / Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons – Tonträger gebraucht kaufen

wie neu

75 Min.

2015

CD

120 g

Album: NEU und EINGESCHWEISST (OVP). STILL SEALED

Beethoven: Symphonies Nos. 4 & 5; Serksnyte: Fires / Jansons / Bavarian Radio Symphony Orchestra

Release Date: 10/09/2015
Label: Br Klassik Catalog #: 900135 Spars Code: DDD
Composer: Ludwig van Beethoven, Raminta Serksnyte
Conductor: Mariss Jansons
Number of Discs: 1
Recorded in: Stereo
Length: 1 Hours 15 Mins.


Works on This Recording

1. Symphony no 4 in B flat major, Op. 60 by Ludwig van Beethoven
Conductor: Mariss Jansons
Period: Classical
Written: 1806; Vienna, Austria
Date of Recording: 11/26/2012
Venue: Live Tokyo, Suntory Hall
Length: 32 Minutes 27 Secs.
2. Symphony no 5 in C minor, Op. 67 by Ludwig van Beethoven
Conductor: Mariss Jansons
Period: Classical
Written: 1807-1808; Vienna, Austria
Date of Recording: 11/27/2012
Venue: Live Tokyo, Suntory Hall
Length: 30 Minutes 49 Secs.
3. Fires, for orchestra by Raminta Serksnyte
Conductor: Mariss Jansons
Period: Contemporary
Written: 2010
Venue: Live Munich, Herkulessaal
Length: 10 Minutes 33 Secs.


Notes and Editorial Reviews

AllMusic Review by Blair Sanderson [-]
Continuing its cycle of Ludwig van Beethoven's symphonies with modern works that reflect his enduring influence, BR Klassik serves up the Symphony No. 4 in B flat major and the Symphony No. 5 in C minor, with a premiere of a two-movement work by Lithuanian composer Raminta Šerkšnyté, Fires. Performed by stalwarts Mariss Jansons and the Bavarian Radio Symphony Orchestra, the symphonies are mainstream renditions with few surprises, and the seeker of solid interpretations and skillful playing will find these performances perfectly acceptable. The Šerkšnyté piece, commissioned by Jansons for this series, will be a bit disconcerting for the traditional symphonic fan, though, for its modern style and enigmatic content are rather hard to connect to the epic Romanticism of Beethoven. Apart from the tempo designation, "con brio," and the closing "three shorts and a long" from the Fifth Symphony, there are few obvious clues to show where Šerkšnyté takes off from Beethoven, and the material she borrowed from the Fifth has been almost entirely internalized and reworked into a new but not especially memorable piece.

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BR-Klassik 900135A

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