TECHNIQUES IN PAINTING : Learning from the Dutch Masters – Buch gebraucht kaufen
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ISBN:
1789940583
(ISBN-13: 9781789940589)Seiten:
1020
Ort:
Bloomsbury, 2022
Beschreibung:
PB, 279 x 242 mm, 176 p , ENG, fabulous illustrations in colour / b/w, . ISBN 9781789940589.
The art of Brigid Marlin describes a visionary world of almost unlimited dimensions and self-sufficiency ? when I first saw The Rod I was so impressed by its imaginative sweep that I sent an enthusiastic letter of appreciation to her, the only fan letter I have ever sent to a painter. The sense of a clearly realised poetic universe, in which every detail, however modest, was accorded equal attention, was what most gripped my imagination. Surrealism, which had played a large part in forming my own view of the world, had seemed to falter with the death or old age of its greatest practitioners ? Max Ernst, Magritte, Dali and Delvaux ? and here in Brigid Marlin was a painter who might be the first of the next generation. I remember writing her with as much excitement as I felt when I came across the paintings of Francis Bacon in the 1950?s. The surrealist dream of remaking the world and revealing its true nature seemed to live on in the work of this woman painter ? in the best and most ambitious of her paintings we see clearly her dramatic and visionary remaking of the world, but this regeneration of life and space and spirit is present even in her smallest and most domestic images. In her work, as in the greatest of the surrealists, archaic myth and spiritual apocalypse meet and fuse. ? J. G. Ballard In the work of this artist allegorical forms reveal a world philosophy. Symbols are projected into dream landscapes of transparent clarity in which different aspects of surrealism are revealed ? from the convulsive forms of Dorothea Tanning, the fetishism of Dali, and the alchemical and magical sources of the Middle Ages, and then returning to close the circle of Freudian symbolism. This painter is not striving after the latest in art fashion, rather she has an iconography which searches for the hidden roots of modern consciousness, and confronts the material world with transcendence. Her thought world is realised with extraordinary perfection and penetration. Her paintings are both original and sophisticated in their dimensional world of which they are both the surface and the core, going beyond introversion and extroversion, and forcing us to guess at unknown possibilities. The absolute values of known painting fade away in the viewer, letting these paintings, undisturbed by convention, pursue their own visual and spiritual level. The compulsive picture language of Brigid Marlin hints at the visual signposts of a world whose deeper meaning slumbers in a kind of presensuality. One might say that here are beautifully depicted nightmares of the psyche, or that there are effortless presentations of the art of madness. The visual foreground is cleared away, the creation becomes transparent, and one enters a world which radiates rare psychological effects, testing the capacity of the spectator?s power to experience her art.
The art of Brigid Marlin describes a visionary world of almost unlimited dimensions and self-sufficiency ? when I first saw The Rod I was so impressed by its imaginative sweep that I sent an enthusiastic letter of appreciation to her, the only fan letter I have ever sent to a painter. The sense of a clearly realised poetic universe, in which every detail, however modest, was accorded equal attention, was what most gripped my imagination. Surrealism, which had played a large part in forming my own view of the world, had seemed to falter with the death or old age of its greatest practitioners ? Max Ernst, Magritte, Dali and Delvaux ? and here in Brigid Marlin was a painter who might be the first of the next generation. I remember writing her with as much excitement as I felt when I came across the paintings of Francis Bacon in the 1950?s. The surrealist dream of remaking the world and revealing its true nature seemed to live on in the work of this woman painter ? in the best and most ambitious of her paintings we see clearly her dramatic and visionary remaking of the world, but this regeneration of life and space and spirit is present even in her smallest and most domestic images. In her work, as in the greatest of the surrealists, archaic myth and spiritual apocalypse meet and fuse. ? J. G. Ballard In the work of this artist allegorical forms reveal a world philosophy. Symbols are projected into dream landscapes of transparent clarity in which different aspects of surrealism are revealed ? from the convulsive forms of Dorothea Tanning, the fetishism of Dali, and the alchemical and magical sources of the Middle Ages, and then returning to close the circle of Freudian symbolism. This painter is not striving after the latest in art fashion, rather she has an iconography which searches for the hidden roots of modern consciousness, and confronts the material world with transcendence. Her thought world is realised with extraordinary perfection and penetration. Her paintings are both original and sophisticated in their dimensional world of which they are both the surface and the core, going beyond introversion and extroversion, and forcing us to guess at unknown possibilities. The absolute values of known painting fade away in the viewer, letting these paintings, undisturbed by convention, pursue their own visual and spiritual level. The compulsive picture language of Brigid Marlin hints at the visual signposts of a world whose deeper meaning slumbers in a kind of presensuality. One might say that here are beautifully depicted nightmares of the psyche, or that there are effortless presentations of the art of madness. The visual foreground is cleared away, the creation becomes transparent, and one enters a world which radiates rare psychological effects, testing the capacity of the spectator?s power to experience her art.
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Complete the return document as fully as possible and state as a return order "Order a wrong book"; On this document, enter the account number on which we can refund the amount
send us the item you want to return undamaged and return to its original packaging back to Erik Tonen Books, EU + Netherlands; Mailbox 582, 4645ZX Putte The Netherlands, / for Belgium; Kloosterstraat 48, 2000 Antwerp.
When the article has arrived at our distribution centre, we will provide a credit note as soon as possible
If you would like to receive a new copy, please do the best by submitting a new order via our web shop, which is for us the easiest way to deliver you as soon as possible !
Below are different situations where you can return an item. If the shipping costs are on our charges, then we will only refund shipping costs according to the regular shipping price. The same goes for registered shipments. These will be received but we will only refund a normal shipment according to the regular shipping price.
I do not want to keep the delivered article. Can I send it back?
If you do not want to keep the item delivered, you can return your order in accordance with Belgian law within 14 days, starting from the first day following delivery.
You do this as follows:
Complete the return document as fully as possible, including the reason for return (not mandatory) and the account number we can refund the amount to
send us the item you want to return undamaged and return to its original packaging back to Erik Tonen Books, EU + Netherlands; Mailbox 582, 4645ZX Putte The Netherlands, / for Belgium; Kloosterstraat 48, 2000 Antwerp.
When the article has arrived at our distribution centre, we will provide a credit note and refund as soon as possible
The article that was delivered is indeed the book that is on my order, but I obviously made an error because it's not the book I wanted. Can I swap?
If you ordered the wrong book, you can return us within 14 days. We will refund you the full amount except for shipping.
You do this as follows:
Complete the return document as fully as possible and state as a return order "Order a wrong book"; On this document, enter the account number on which we can refund the amount
send us the item you want to return undamaged and return to its original packaging back to Erik Tonen Books, EU + Netherlands; Mailbox 582, 4645ZX Putte The Netherlands, / for Belgium; Kloosterstraat 48, 2000 Antwerp.
When the article has arrived at our distribution centre, we will provide a credit note and refund as soon as possible
If you want to order the right title, please do not hesitate to submit a new order through our web shop. This is the easiest way to get you a new copy as soon as possible
I got the right article, but it's damaged. Will I get a new copy?
If you received a damaged article, please let us know by e-mail, after confirmation by e-mail, you can return it to us within 14 days. We will refund you the full amount, including shipping costs.
You do this as follows:
Complete the return document as fully as possible and state as a return order "Order a wrong book"; On this document, enter the account number on which we can refund the amount
send us the item you want to return undamaged and return to its original packaging back to Erik Tonen Books, EU + Netherlands; Mailbox 582, 4645ZX Putte The Netherlands, / for Belgium; Kloosterstraat 48, 2000 Antwerp.
When the article has arrived at our distribution centre, we will provide a credit note as soon as possible
If you would like to receive a new copy, please do the best by submitting a new order via our web shop, which is for us the easiest way to deliver you as soon as possible !